LA Weekly:
A temple for the moving image
One of the odd consequences of all the excitement
around digital filmmaking has been a return to "primitive"
cinema, and the investigation of early cinema´s precursors.
Such is the case with A temple for the moving image, the new
installation by finnish media artists Jari Haanperä and
Mirka Flander, made in collaboration with EZTV's Michael Masucci
and Kate Johnson, and installed in EZTV's Hollywood space.
The Temple is indeed a shrine, and it pays reverent
homage to the wonders of media, from the magic lanterns of
the 19th century to the now-clunky video decks of the 1970´s
and 80´s. At first glance, the works' dazzling centerpiece
appears to be a multilayered, effects-laden moving image,
but it´s actually a rear-screen projection using colored
lights shining through objects suspended and shifting in midair.
The shadows cast by the objects twist and dance on the screen
for viewers, who see only the magic of light and motion on
the other side. In front of this projection is an altar made
from old film and video equipment, with more screens and moving
images, all of them referencing the history of media.
In addition to re-igniting the powerful effect
of sheer wonder, the piece addresses the almost spiritual
role of media in contemporary culture, finding connections
between religious iconography and adoration and the awe inspired
by the basic apparatus of cinema. The piece is a must-see,
not only as a pilgrimage for believers, but as a reminder
that, despite advances in technology, we're often bedazzled
by the simple things. Haanperä and Flander understand
this amazement, and spark it with a truly wondrous construction.
Seeing the installation requires calling ahead to make an
appointment - do it! And when you're there, insist on taking
an illicit peek behind the curtain to see the artists' handiwork.
(EZTV, 6522 Hollywood Blvd., Hhlywd.; by appointment.
Opening Fri., Nov.17, with a panel discussion at 7:30 p.m.
and reception from 8:30 to 10 p.m. 323-462-3678)
LAWEEKLY November 17-23, 2000 Written by Holly Willis
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